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In 408 hours, Seven is managing to broadcast five thousand hours of Olympic coverage. Après nous le déluge, as Louis XV used to say, anticipating the invention of Twitter.
Goldstone may glitter, but audiences are heading off to... ? instead. Staying home, I fear.
We are all told that video content is the way to go, but what path do you take – the niche or the mainstream?
ACMI's Centre plus Sector approach to hubbing is getting real and looking for more participants.
Ten offers The Bachelor for sacrifice as Seven tidies up before the Olympics. Next week is juggernaut time - or so Seven hopes.
Already hosting pitch and sizzle reels, Pozible has made the leap to providing its very own streaming service, for mutual profit.
There's an excellent new prize for women writers, a national roadshow by SPA to non-bitey parts of Australia, and a heap of good lectures at MIFF.
At the back of every good documentary filmmaker's mind is the possibility of a law suit. This is what it feels like to fight for everything you own in the world.
The five projects which secured funding for Long Story Short initiative from the ABC and Screen Australia includes Mustafa Needs a Wife, which jumps off the page as a fragment of true blue multiculturalism.
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It would all be fixed in thirty days, and there was no need to take women into the bunker. Eventually they gave up on the Goon Show tapes.
Book on CAA puts an armour-plated periscope into a crocodile pit.
Stating the obvious about SBS is sometimes very useful. Be nice to see some reasons and numbers though.
Determined to learn? Patient? A performance groupie? Here's the round tables with prime Emmy hopefuls for you.
Must keep the European certificate! 'Brexit has made everything 10% tougher, but it’s the 10% that could make a big difference.'
How US niche shows stack up with numbers which are 3x times Australian mainstream.
Americans work over iconic Aussie film, using consummate marketing skills and a fascination with technology. And blood. Nothing without blood.
From 1650 entrants, all shot on a smartphone, the Get Reel Festival has chosen its winners.
Ausfilm hosts delegation of Chinese filmmakers on an Industry Familiarisation tour.
Restoration money is tight around the world but the technology continues to improve.
As SA’s highest film accolades, the SASAs exhibit, celebrate, support and promote South Australian talent in the film industry and help local film-makers gain the attention of the established film industry.
Industry: Film / TV / Digital
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Dr Richard Jones
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The ACTF is a national children’s media production and policy hub. We help develop children’s television policy; distribute and invest in Australian children’s television series; support new, innovative and entertaining children’s media; and develop
Film / TV / Digital
Triple R is a non-profit community radio station that relies on listener subscriptions and sponsors to operate.
RTRFM is a not-for-profit, independent radio station. We are Perth’s Sound Alternative, focusing on providing music and information not usually broadcast by other stations.
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